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More Sweetly Play the Dance
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2024
The Great Yes, The Great No at LUMA Arles, 2024
Booklet produced for the premiere of the chamber opera The Great Yes, The Great No at LUMA Arles in July 2024
2022
A Conversation between William Kentridge and Walter Murch
William Kentridge and Walter Murch
Enough and More Than Enough: Performing the Drawing
William Kentridge
Teaching a Map to Talk: William Kentridge in Johannesburg
Ed Schad
Kentridge’s Beckett
Carla Taban
Oh To Believe in Another World
William Kentridge
Liberating Vision
Stephen Clingman
2020
William Kentridge: Timeline 1955 to 2020
Compiled by Sean O’Toole and Sven Christian
2019
A Poem That Is Not Our Own
Helfenstein, Josef and Sébastien Delot (eds)
The Shadow of an Object may be a Sound: Seeing Voices in William Kentridge
Jane Taylor
Waiting for the Sibyl: Libretto
compiled by William Kentridge
Waiting for the Sibyl: Programme Note
William Kentridge
Theatre of War: Din und Drang in The Head & the Load
Homi K. Bhabha
Pulled From the Shadows
Ann McCoy
The Troubles of the Neck
Rosalind E. Krauss
Thoughts on Making the Music for The Head & the Load
Philip Miller
Tying the Word to the World
Sean O’Toole
Seven Keys to Kentridge
David Freedberg
Visual Index of Sculpture Practice, 1984-2019
Compiled by William Kentridge, Natalie Dembo and Owen Martin
Footnotes to History: On Processions, Development and the State
Leora Maltz-Leca
2018
William Kentridge: That Which We Do Not Remember
With Jane Taylor
On the Southern Tip of Africa
Leora Maltz-Leca
The Music of Triumphs and Laments
Philip Miller
Performance as Wastage
Leora Maltz-Leca
Peripheral Thoughts on a Sonic Landscape
Thuthuka Sibisi
The Spasm of History
Gregory Maqoma
Historical Context for The Head & the Load
David Olusoga
Thirty Thoughts on The Head & the Load
William Kentridge
The Head & the Load Libretto
William Kentridge
William Kentridge: Right Into Her Arms
Bill Gregory and John McDonald
Let Us Try for Once: 15 1/2 Thoughts in the Library
William Kentridge
2017
Triumphs & Laments: Sources for the Frieze Figures
Tommaso Speretta & Lucia Franchi Viceré
Conversations in Letters and Lines
William Kentridge & Vivienne Koorland, ed. Tamar Garb
Wozzeck: Director’s Note
William Kentridge
Triumphs and Laments Woodcuts: Mantegna
David Krut Workshop
Triumphs and Laments Woodcuts: Lampedusa
David Krut Workshop
Triumphs and Laments Woodcuts: Refugees
David Krut Workshop
A Paradoxical Monumentality
Gabriele Guercio
Triumphs and Laments Woodcuts: The Flood
David Krut Workshop
Triumphs and Laments Woodcuts: That Which I do Not Remember
David Krut Workshop
Drawing, Memory, and the City: William Kentridge’s Rome
Salvatore Settis
In People’s Memory
Carlos Basualdo in Conversation with William Kentridge
Extracts from Footnotes for the Panther, Conversations between William Kentridge and Denis Hirson
William Kentridge and Denis Hirson
Tummelplatz
Joseph Leo Koerner
Nasal Passages
Jane Taylor
As the Crow Flies
Rosalind C. Morris
2016
William Kentridge: Thick Time
Iwona Blazwick & Sabine Breitwieser
In Conversation
William Kentridge and Ann McCoy
Processional Ethics
Homi K. Bhabha
Triumphs and Laments: A Talk
William Kentridge
Peripheral Thinking
William Kentridge
Performing the Archive of History in Shorthand
Sabine Breitwieser
Nine Fragments for Nine Films
Iwona Blazwick
2015
The Soho Chronicles: 10 Films by William Kentridge
Matthew Kentridge
More Sweetly Play the Dance
William Kentridge with Jaap Guldemond and Marente Bloemheuwel (eds)
William Kentridge Takes New York
Ann McCoy
William Kentridge: Tapestries – A Collaboration with Stephens Tapestry Studio
Review by Joseph Leo Koerner
Roman Heads and Polychrome Heads
William Kentridge
William Kentridge: The Nose
Sabine Schaschl (ed)
Lulu Dialogue
Fragments from the libretto by Frank Wedekind
What Does Lulu Wear?
William Kentridge
William in Exile: Thoughts on Failed Utopias
Andrew Solomon
2014
Whichever Page You Open
Joseph Leo Koerner and Margaret Koster Koerner
William Kentridge: SO
Bill Gregory
2013
Return
William Kentridge & Dada Masilo
Spectres of the Original and the Liberties of Repetition
Leora Maltz-Leca
Process/Procession: William Kentridge and the Process of Change
Leora Maltz-Leca
2012
Dialectic of Enlightenment
Rosalind E. Krauss
Closely Woven History
María de Corral
The Refusal of Time
William Kentridge & Peter L. Galison, notebook for Documenta 13
Give us Back our Sun
Peter Galison & William Kentridge
Blowing up the Meridian
Peter Galison & William Kentridge
Gathering Sounds and Making Objects Breathe
Philip Miller & William Kentridge
The Refusal of Time
Peter Galison
Machines
references used by William Kentridge in designing machines for The Refusal of Time
Refuse the Hour Lecture by W.K.
William Kentridge
Refuse the Hour Costumes
Designs by Greta Goiris
Elephant
Designs by William Kentridge
In the Editing Suite, Sylvia Pass
Catherine Meyburgh & William Kentridge
A Note on The Refusal of Time
William Kentridge
Death, Time, Soup: A Conversation with William Kentridge and Peter Galison
Margaret K. Koerner
William Kentridge: Universal Archive (parts 7 – 23)
Bill Gregory and John McDonald
William Kentridge’s Metonymic Line: The Art of Transformation
Stephen Clingman
2011
Fire Walker
William Kentridge & Gerhard Marx
Shostakovich’s The Nose at Aix
A conversation between William Kentridge and Denise Wendel
2010
The Outlaws Retort: William Kentridge in New York
Leora Maltz-Leca
I am not me, the horse is not mine – 2010
William Kentridge, Sue Pam-Grant and Philip Miller
Kentridge’s Nose
Maria Gough
The Nose: Director’s Note
William Kentridge
Great Texts, Big Questions
William Kentridge
Giving Gogol his Head
Geoffrey O’Brien
Jumping on the King’s Bed
William Kentridge
2009
The Nose: Learning from the Absurd
William Kentridge
Magic Flute and Black Box: Sarastro and the Master’s Voice
William Kentridge
Artist and Model: Parcours d’Atelier
William Kentridge
Ubu & the Procession: Occasional and Residual Hope
William Kentridge
Thick Time: Drawings for Projection
William Kentridge
I am not me, the horse is not mine
William Kentridge: a lecture/performance
2008
The Eye of the Beholder
Jane Taylor
Spherical and Without Exits: Thoughts on William Kentridge’s anamorphic film What Will Come (Has Already Come)
Jane Taylor
Notes on (REPEAT) from the Beginning
William Kentridge
2007
Becoming Aware in a World of People on the Move
Gabriele Guercio
2006
The Magic Flute
William Kentridge interviewed by Jonathan Wilson
2005
William Kentridge: ‘A Messenger’ and ‘Resistance and Ground’
Susan Stewart
The Magic Flute: Director’s Note
William Kentridge
Black Box: Between the Lens and the Eyepiece
William Kentridge
William Kentridge: Thinking Aloud
Conversations with Angela Breidbach
2004
William Kentridge
Carolyn Christov-Bakargiev, William Kentridge and Jane Taylor
On Defectibility as a Resource: William Kentridge’s Art of Imperfection, Lack, and Falling Short
Carolyn Christov-Bakargiev
2003
Seven Fragments for Georges Méliès, Day for Night, and Journey to the Moon
William Kentridge
2001
Zeno at 4 am: Director’s Note
William Kentridge
In Praise of Shadows
William Kentridge
2000
“The Rock”: William Kentridge’s Drawings for Projection
Rosalind Krauss
1998
William Kentridge’s Ubu Projects
Carolyn Christov-Bakargiev
William Kentridge
Carolyn Christov-Bakargiev: introduction to exhibition catalogue
William Kentridge
Carolyn Christov-Bakargiev
The Body Drawn and Quartered
William Kentridge
Tonight…. We Perform
William Kentridge
1997
The Crocodile’s Mouth
William Kentridge
1993
Fortuna: Neither Programme nor Chance in the Making of Images
William Kentridge
1992
Woyzeck on the Highveld: Director’s Note
William Kentridge
1988
Landscape in a State of Siege
William Kentridge
1986
Art in a State of Siege
William Kentridge
By Tag
#ThinkingAboutTheWork
Art in a State of Siege
William Kentridge
Artist and Model: Parcours d’Atelier
William Kentridge
As the Crow Flies
Rosalind C. Morris
Fortuna: Neither Programme nor Chance in the Making of Images
William Kentridge
Let Us Try for Once: 15 1/2 Thoughts in the Library
William Kentridge
Liberating Vision
Stephen Clingman
On Defectibility as a Resource: William Kentridge’s Art of Imperfection, Lack, and Falling Short
Carolyn Christov-Bakargiev
On the Southern Tip of Africa
Leora Maltz-Leca
Spectres of the Original and the Liberties of Repetition
Leora Maltz-Leca
Teaching a Map to Talk: William Kentridge in Johannesburg
Ed Schad
The Eye of the Beholder
Jane Taylor
The Shadow of an Object may be a Sound: Seeing Voices in William Kentridge
Jane Taylor
Whichever Page You Open
Joseph Leo Koerner and Margaret Koster Koerner
William Kentridge
Carolyn Christov-Bakargiev: introduction to exhibition catalogue
William Kentridge Takes New York
Ann McCoy
William Kentridge’s Metonymic Line: The Art of Transformation
Stephen Clingman
# LessGoodIdea
Kentridge’s Beckett
Carla Taban
#Beckett
Kentridge’s Beckett
Carla Taban
#BlackBoxChambreNoire
Black Box: Between the Lens and the Eyepiece
William Kentridge
Magic Flute and Black Box: Sarastro and the Master’s Voice
William Kentridge
The Magic Flute: Director’s Note
William Kentridge
#BreatheDissolveReturn
Notes on (REPEAT) from the Beginning
William Kentridge
#CarnetsD’Egypte
Jumping on the King’s Bed
William Kentridge
#Catastrophe
Kentridge’s Beckett
Carla Taban
#Chronology
William Kentridge: Timeline 1955 to 2020
Compiled by Sean O’Toole and Sven Christian
#Conversation
A Conversation between William Kentridge and Ruti Direktor
Online, Johannesburg/Tel Aviv
2020
A Conversation between William Kentridge and Walter Murch
William Kentridge and Walter Murch
Art Basel Premier Artist Talk
Basel, Switzerland
2019
Conversation with Carolyn Christov-Bakargiev
Online, Johannesburg/Rivoli/Delhi
2020
Conversation with Nalini Malani: In Praise of Shadows for CCCB
Online
2020
Extracts from Footnotes for the Panther, Conversations between William Kentridge and Denis Hirson
William Kentridge and Denis Hirson
In Conversation
William Kentridge and Ann McCoy
Midnight Whisky Talk No. 1
Arsenale Institute for the Politics of Representation, Venice
2024
William Kentridge and Judith Butler in Conversation
École Normale Supérieure, Paris
2024
William Kentridge: Thinking Aloud
Conversations with Angela Breidbach
#DrawingsForProjection
“The Rock”: William Kentridge’s Drawings for Projection
Rosalind Krauss
The Soho Chronicles: 10 Films by William Kentridge
Matthew Kentridge
Thick Time: Drawings for Projection
William Kentridge
#ExhibitionCatalogue
A Poem That Is Not Our Own
Helfenstein, Josef and Sébastien Delot (eds)
Conversations in Letters and Lines
William Kentridge & Vivienne Koorland, ed. Tamar Garb
Liberating Vision
Stephen Clingman
William Kentridge
Carolyn Christov-Bakargiev, William Kentridge and Jane Taylor
William Kentridge
Carolyn Christov-Bakargiev
William Kentridge: Right Into Her Arms
Bill Gregory and John McDonald
William Kentridge: SO
Bill Gregory
William Kentridge: That Which We Do Not Remember
With Jane Taylor
William Kentridge: Thick Time
Iwona Blazwick & Sabine Breitwieser
William Kentridge: Universal Archive (parts 7 – 23)
Bill Gregory and John McDonald
#Interview
How We Make Sense of the World
Louisiana Museum, Humlebæk, Denmark
2014
On the Refusal of Time
Louisiana Museum, Humlebæk, Denmark
2017
Reduced to Being an Artist
Louisiana Museum, Humlebæk, Denmark
2016
Video Art and Social Intervention: Forms of Life | William Kentridge and Judith Butler in Conversation
Berkeley Art Museum and Pacific Film Archive, Berkeley
2023
William Kentridge and Christopher Blay in Conversation
The Museum of Fine Arts, Houston
2023
William Kentridge and Walter Murch in Conversation
The Centre for the Less Good Idea, Johannesburg
2023
William Kentridge on
Wozzeck
Johannesburg, South Africa
2022
#Johannesburg
Teaching a Map to Talk: William Kentridge in Johannesburg
Ed Schad
#Landscape
Landscape in a State of Siege
William Kentridge
#Lecture
A Defence of the Less Good Idea, Sigmund Freud Lecture
Sigmund Freud Museum, Vienna
2017
A Dream of Love Reciprocated: History & the Image
Humboldt University, Berlin
2014
A Natural History of the Studio
Tel Aviv University, Tel Aviv, Israel
2012
A Spasm of History | Slade Lecture No. 4
University of Oxford, UK
2024
Drawing Lesson Five: In Praise of Mistranslation
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Four: Practical Epistemology: Life in the Studio
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson One: In Praise of Shadows
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Six: Anti-Entropy
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Three: Vertical Thinking – A Johannesburg Biography
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Two: A Brief History of Colonial Revolts
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Enough and More Than Enough, with Maricel Alvarez
Oviedo, Spain
2017
Enough and More Than Enough: Performing the Drawing
William Kentridge
Finding the Less Good Idea
Milwaukee Art Museum, Milwaukee
2022
Finding the Less Good Idea
Granoff Center for the Creative Arts, Brown University, Providence
2023
Finding the Sibyl | Slade Lecture No. 5
University of Oxford, UK
2024
In Defence of Optimism | Slade Lecture No. 6
University of Oxford, UK
2024
Lapis Lazuli | Slade Lecture No. 2
University of Oxford, UK
2024
Let Us Try for Once: 15 1/2 Thoughts in the Library
William Kentridge
Listening to the Image
University of Chicago, Chicago, Illinois
2013
Meeting the World Halfway: A Johannesburg Biography
Kyoto, Japan
2010
O Sentimental Machine, 2015–16 Belknap Visitor in the Humanities Lecture
Princeton University, New York
2015
Peripheral Thinking
Design Indaba, Cape Town
2015
Second-hand Reading
University of Rochester, Rochester, New York
2013
Self-Portrait as a Coffee Pot
Università Ca’ Foscari, Venice
2024
Susan T. Marx Distinguished Lecture Series for University of Pennsylvania
Online
2020
That Which I Do Not Remember | Slade Lecture No. 3
University of Oxford, UK
2024
That Which I Have Drawn | Slade Lecture No. 1
University of Oxford, UK
2024
Thinking on one’s feet: A walking tour of the studio
University of Oxford, Oxford, United Kingdom
2013
To What End?
Barbro Osher Theater, Berkeley Art Museum and Pacific Film Archive, Berkeley
2022
What Happens at the Edges
Zeitz MoCAA, Cape Town, South Africa
2019
#LecturePerformance
I am not me, the horse is not mine
Kyoto Kaikan Concert Hall, Kyoto
2012
#Lulu
Lulu Dialogue
Fragments from the libretto by Frank Wedekind
What Does Lulu Wear?
William Kentridge
#MoreSweetlyPlayTheDance
More Sweetly Play the Dance
William Kentridge with Jaap Guldemond and Marente Bloemheuwel (eds)
Processional Ethics
Homi K. Bhabha
Tummelplatz
Joseph Leo Koerner
#NotesTowardsAModelOpera
Peripheral Thinking
William Kentridge
William in Exile: Thoughts on Failed Utopias
Andrew Solomon
#OhToBelieveInAnotherWorld
Oh To Believe in Another World
William Kentridge
#OSentimentalMachine
Performing the Archive of History in Shorthand
Sabine Breitwieser
#Performance
Enough and More Than Enough, with Maricel Alvarez
Oviedo, Spain
2017
Enough and More Than Enough: Performing the Drawing
William Kentridge
Tonight…. We Perform
William Kentridge
#PrintMaking
Great Texts, Big Questions
William Kentridge
William Kentridge: ‘A Messenger’ and ‘Resistance and Ground’
Susan Stewart
#Procession
Footnotes to History: On Processions, Development and the State
Leora Maltz-Leca
More Sweetly Play the Dance
William Kentridge with Jaap Guldemond and Marente Bloemheuwel (eds)
Process/Procession: William Kentridge and the Process of Change
Leora Maltz-Leca
Processional Ethics
Homi K. Bhabha
Ubu & the Procession: Occasional and Residual Hope
William Kentridge
#Sculpture
Fire Walker
William Kentridge & Gerhard Marx
Roman Heads and Polychrome Heads
William Kentridge
Seven Keys to Kentridge
David Freedberg
Visual Index of Sculpture Practice, 1984-2019
Compiled by William Kentridge, Natalie Dembo and Owen Martin
#SelfPortraitAsACoffeePot
A Conversation between William Kentridge and Walter Murch
William Kentridge and Walter Murch
#SevenFragmentsForGeorgesMéliès
Nine Fragments for Nine Films
Iwona Blazwick
Seven Fragments for Georges Méliès, Day for Night, and Journey to the Moon
William Kentridge
#Shadows
In Praise of Shadows
William Kentridge
#SixDrawingLessons
Dialectic of Enlightenment
Rosalind E. Krauss
#StudioLife
A Conversation between William Kentridge and Walter Murch
William Kentridge and Walter Murch
#Talk
A Poem That Is Not Our Own
Kunstmuseum Basel, Basel, Switzerland
2019
A response to Philip Guston’s 1969 work, ‘The Studio’
Online
2021
Considerations on Picasso’s Guernica
Online
2021
Doctor of Literature Honoris Causa Address
University of Cape Town, South Africa
2014
Studio Visit for Summer Nostos Festival Retrofuture
Johannesburg, South Africa
2020
The Creative Process of a Master Artist, TEDx Talk
TEDxJohannesburgSalon, Johannesburg, South Africa
2016
#TalkingAboutTheWork
A Conversation between William Kentridge and Ruti Direktor
Online, Johannesburg/Tel Aviv
2020
A Defence of the Less Good Idea, Sigmund Freud Lecture
Sigmund Freud Museum, Vienna
2017
A Dream of Love Reciprocated: History & the Image
Humboldt University, Berlin
2014
A Natural History of the Studio
Tel Aviv University, Tel Aviv, Israel
2012
A Poem That Is Not Our Own
Kunstmuseum Basel, Basel, Switzerland
2019
A response to Philip Guston’s 1969 work, ‘The Studio’
Online
2021
Art Basel Premier Artist Talk
Basel, Switzerland
2019
Considerations on Picasso’s Guernica
Online
2021
Conversation with Carolyn Christov-Bakargiev
Online, Johannesburg/Rivoli/Delhi
2020
Conversation with Nalini Malani: In Praise of Shadows for CCCB
Online
2020
Doctor of Literature Honoris Causa Address
University of Cape Town, South Africa
2014
Drawing Lesson Five: In Praise of Mistranslation
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Four: Practical Epistemology: Life in the Studio
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson One: In Praise of Shadows
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Six: Anti-Entropy
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Three: Vertical Thinking – A Johannesburg Biography
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Drawing Lesson Two: A Brief History of Colonial Revolts
Mahindra Humanities Center, Cambridge, Massachusetts
2012
Enough and More Than Enough, with Maricel Alvarez
Oviedo, Spain
2017
Finding the Less Good Idea
Milwaukee Art Museum, Milwaukee
2022
Finding the Less Good Idea
Granoff Center for the Creative Arts, Brown University, Providence
2023
How We Make Sense of the World
Louisiana Museum, Humlebæk, Denmark
2014
I am not me, the horse is not mine
Kyoto Kaikan Concert Hall, Kyoto
2012
In Conversation: William and Sydney Kentridge, mediated by Okwui Enwezor
Haus der Kunst, Berlin
2013
Listening to the Image
University of Chicago, Chicago, Illinois
2013
Meeting the World Halfway: A Johannesburg Biography
Kyoto, Japan
2010
Midnight Whisky Talk No. 1
Arsenale Institute for the Politics of Representation, Venice
2024
O Sentimental Machine, 2015–16 Belknap Visitor in the Humanities Lecture
Princeton University, New York
2015
On the Refusal of Time
Louisiana Museum, Humlebæk, Denmark
2017
Peripheral Thinking
Design Indaba, Cape Town
2015
Reduced to Being an Artist
Louisiana Museum, Humlebæk, Denmark
2016
Second-hand Reading
University of Rochester, Rochester, New York
2013
Studio Visit for Summer Nostos Festival Retrofuture
Johannesburg, South Africa
2020
Susan T. Marx Distinguished Lecture Series for University of Pennsylvania
Online
2020
The Creative Process of a Master Artist, TEDx Talk
TEDxJohannesburgSalon, Johannesburg, South Africa
2016
Thinking on one’s feet: A walking tour of the studio
University of Oxford, Oxford, United Kingdom
2013
To What End?
Barbro Osher Theater, Berkeley Art Museum and Pacific Film Archive, Berkeley
2022
Video Art and Social Intervention: Forms of Life | William Kentridge and Judith Butler in Conversation
Berkeley Art Museum and Pacific Film Archive, Berkeley
2023
What Happens at the Edges
Zeitz MoCAA, Cape Town, South Africa
2019
William Kentridge and Christopher Blay in Conversation
The Museum of Fine Arts, Houston
2023
William Kentridge and Judith Butler in Conversation
École Normale Supérieure, Paris
2024
William Kentridge and Walter Murch in Conversation
The Centre for the Less Good Idea, Johannesburg
2023
William Kentridge on
Wozzeck
Johannesburg, South Africa
2022
#Tapestry
Becoming Aware in a World of People on the Move
Gabriele Guercio
Closely Woven History
María de Corral
William Kentridge: Tapestries – A Collaboration with Stephens Tapestry Studio
Review by Joseph Leo Koerner
#Theatre
Kentridge’s Beckett
Carla Taban
#TheHead&TheLoad
Historical Context for The Head & the Load
David Olusoga
Performance as Wastage
Leora Maltz-Leca
Peripheral Thoughts on a Sonic Landscape
Thuthuka Sibisi
Pulled From the Shadows
Ann McCoy
The Head & the Load Libretto
William Kentridge
The Spasm of History
Gregory Maqoma
The Troubles of the Neck
Rosalind E. Krauss
Theatre of War: Din und Drang in The Head & the Load
Homi K. Bhabha
Thirty Thoughts on The Head & the Load
William Kentridge
Thoughts on Making the Music for The Head & the Load
Philip Miller
#TheMagicFlute
Black Box: Between the Lens and the Eyepiece
William Kentridge
Magic Flute and Black Box: Sarastro and the Master’s Voice
William Kentridge
The Magic Flute
William Kentridge interviewed by Jonathan Wilson
The Magic Flute: Director’s Note
William Kentridge
#TheNose
Giving Gogol his Head
Geoffrey O’Brien
Great Texts, Big Questions
William Kentridge
I am not me, the horse is not mine
William Kentridge: a lecture/performance
I am not me, the horse is not mine – 2010
William Kentridge, Sue Pam-Grant and Philip Miller
Kentridge’s Nose
Maria Gough
Nasal Passages
Jane Taylor
Shostakovich’s The Nose at Aix
A conversation between William Kentridge and Denise Wendel
The Nose: Director’s Note
William Kentridge
The Nose: Learning from the Absurd
William Kentridge
The Outlaws Retort: William Kentridge in New York
Leora Maltz-Leca
William Kentridge: The Nose
Sabine Schaschl (ed)
#TheRefusalOfTime
A Note on The Refusal of Time
William Kentridge
Blowing up the Meridian
Peter Galison & William Kentridge
Death, Time, Soup: A Conversation with William Kentridge and Peter Galison
Margaret K. Koerner
Elephant
Designs by William Kentridge
Gathering Sounds and Making Objects Breathe
Philip Miller & William Kentridge
Give us Back our Sun
Peter Galison & William Kentridge
In the Editing Suite, Sylvia Pass
Catherine Meyburgh & William Kentridge
Machines
references used by William Kentridge in designing machines for The Refusal of Time
Refuse the Hour Costumes
Designs by Greta Goiris
Refuse the Hour Lecture by W.K.
William Kentridge
Return
William Kentridge & Dada Masilo
The Refusal of Time
Peter Galison
The Refusal of Time
William Kentridge & Peter L. Galison, notebook for Documenta 13
#Triumphs&Laments
A Paradoxical Monumentality
Gabriele Guercio
Drawing, Memory, and the City: William Kentridge’s Rome
Salvatore Settis
In People’s Memory
Carlos Basualdo in Conversation with William Kentridge
The Music of Triumphs and Laments
Philip Miller
Triumphs & Laments: Sources for the Frieze Figures
Tommaso Speretta & Lucia Franchi Viceré
Triumphs and Laments Woodcuts: Lampedusa
David Krut Workshop
Triumphs and Laments Woodcuts: Mantegna
David Krut Workshop
Triumphs and Laments Woodcuts: Refugees
David Krut Workshop
Triumphs and Laments Woodcuts: That Which I do Not Remember
David Krut Workshop
Triumphs and Laments Woodcuts: The Flood
David Krut Workshop
Triumphs and Laments: A Talk
William Kentridge
#Ubu
The Crocodile’s Mouth
William Kentridge
Ubu & the Procession: Occasional and Residual Hope
William Kentridge
William Kentridge’s Ubu Projects
Carolyn Christov-Bakargiev
#Ulisse
The Body Drawn and Quartered
William Kentridge
#WaitingForTheSibyl
Studio Visit for Summer Nostos Festival Retrofuture
Johannesburg, South Africa
2020
Waiting for the Sibyl: Libretto
compiled by William Kentridge
Waiting for the Sibyl: Programme Note
William Kentridge
#WalterMurch
A Conversation between William Kentridge and Walter Murch
William Kentridge and Walter Murch
#WhatWillCome
Spherical and Without Exits: Thoughts on William Kentridge’s anamorphic film What Will Come (Has Already Come)
Jane Taylor
#Words&World
Tying the Word to the World
Sean O’Toole
#WoyzeckOnTheHighveld
Woyzeck on the Highveld: Director’s Note
William Kentridge
#Wozzeck
William Kentridge on
Wozzeck
Johannesburg, South Africa
2022
Wozzeck: Director’s Note
William Kentridge
#Zeno
Zeno at 4 am: Director’s Note
William Kentridge
